Prince Rama of Ayodhya

October08, music reviews October 10th, 2008

RamaBy Dan Fitzpatrick, October 2008
Threshold Dances, Cosmos Records (UK)
Under their new guise as Prince Rama of Ayodhya, the Dasi kids – remember them? –  took their slightly angular, always fun indie-DIY-punk-pop act up to Boston, and added a whole slew of exciting, Eastern elements to their aural palette. Nimai Larson’s drum set morphed into a djembe. Michael Collins’ synthesizer flip flops between his tried and true, out-of-this world Micro-Korg sounds and Indian, tambura-like droning. Think Dasi as we knew them, thrown into a blender with a Zach Condon, who was raised by Krishnas instead of falling for the Balkans Gypsy sound. The album is an epic, stop-and-go ride, with Taraka Larson’s sometimes foreboding, sometimes nimble and lively vocals taking you on a groovy ride through ominous forests, space and time. The ol’ Dasi kids have certainly outdone themselves.

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Prince Rama of Ayodhya

October08, music reviews October 10th, 2008

RamaBy Dan Fitzpatrick, October 2008
Threshold Dances, Cosmos Records (UK)
Under their new guise as Prince Rama of Ayodhya, the Dasi kids – remember them? –  took their slightly angular, always fun indie-DIY-punk-pop act up to Boston, and added a whole slew of exciting, Eastern elements to their aural palette. Nimai Larson’s drum set morphed into a djembe. Michael Collins’ synthesizer flip flops between his tried and true, out-of-this world Micro-Korg sounds and Indian, tambura-like droning. Think Dasi as we knew them, thrown into a blender with a Zach Condon, who was raised by Krishnas instead of falling for the Balkans Gypsy sound. The album is an epic, stop-and-go ride, with Taraka Larson’s sometimes foreboding, sometimes nimble and lively vocals taking you on a groovy ride through ominous forests, space and time. The ol’ Dasi kids have certainly outdone themselves.

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